“This increasingly well-rooted network provides the Gulen Movement with daily access to the minds of over 45,000 students, and yearly access to hundreds of millions of hard-earned tax dollars.” — Sharon Higgins
Mónica García, LAUSD’s Gülenist ChampionCharter schools are privately managed entities with negligible oversight, but funded with public money. The somewhat secretive Gülenist Islamic sect, named after charismatic Turkish Imam Fethullah Gülen, runs more charter schools than any other charter school chain in the United States. While there’s nothing wrong with privately financed religious schools, it’s problematic at best that public funds are being used to fund religious charter chains.
The cultish Gülenist Movement currently operates eight such privately managed charter schools in the Los Angeles Unified School District (LAUSD). Several more are slated to open after having won approval under the woefully misnamed “Public School Choice” (PSC) resolution, brewed by former LAUSD District 5 Trustee, Yolie Flores, who was also an employee of the Gates Foundation while concurrently “serving” the school district. Flores’ PSC gives brand new school facilities built with public money away to charter school corporations like the Gülenist Magnolia Science Academy.
The individual most responsible for the proliferation of Gülen Charter Schools in LAUSD is the Board President herself, Mónica García. García’s ties to the Gülenists are long-standing, and she is a tenacious advocate on their behalf. She is speaking at the Gülenist Pacifica Institute in September 2012 regarding her prominent role in corporate education reform and the unprecedented privatization of LAUSD under her neoliberal reign. The Pacifica Institute ran into controversy last year, when Armenian groups protested the organization’s ties to Turkish groups denying the 1915-1918 Armenian genocide. That García chooses to be so insensitive to the considerable Armenian population in her school district is most likely attributable to the fact that there are no Armenian organizations managing large chains of lucrative charter schools in LAUSD.
Advocating for the Gülenist movement and speaking at their events have paid handsome dividends for García. In addition to helping proliferate more privately managed charters schools, the Gülenists have been very generous donors to García’s political coffers. García, who raised more than $100,000 in just two months for her 2013 reelection bid, counts several Gülenist operatives among her contributors. Suleyman Bahceci, CEO of Magnolia Charter Corporation, donated $250, as did Varol Gurler, Magnolia’s CAO. The Pacifica Institute’s Director, Ferdi Mesut Ates, chipped in $100. Pacifica’s Ilker Yildiz contributed likewise. Undoubtedly, García will continue to rake in cash from the Gülenist machine, as she has from most of the lucrative corporate charter chains. In an ethical education environment, donations from corporate charters to district board members that have the power to grant them their charters and give them choice facilities would be considered a conflict of interest.
Corporate charter school magnate Yvone Chan also recently donated to García’s efforts to capture a third term as a LAUSD Trustee. Milken Educator Award winner Chan, despite a vested interest in the charter school industry, is on the California State Board of Education (SBOE). Like García, Chan has a long and rewarding history with the Gülen Charter Movement. In fact, she made sure that she and her other SBOE members granted Magnolia its Statewide Benefit Charter because:
Yvonne Chan had been on a free, Gulenist-guided trip to Turkey courtesy of the Pacifica Institute in one of the years just prior.
Incidentally, California isn’t the only state where the Gülen “leaders lavish gifts and dinners on” politicians.
The Gülen Movement and their ubiquitous Gülen charter schools loom so large on the American education landscape that CBS’ 60 Minuntes devoted a full length segment entitled: U.S. charter schools tied to powerful Turkish imam to this phenomenon of school privatization.
What’s important here isn’t which kind of religious group runs these schools, but that public funds are being used to support schools having overarching political and religious agendas like the Gülenist do. This is no different than the right-wing Milton Friedman inspired capitalism indoctrination American Indian Public Charter Schools and Green Dot Public Schools push on their hapless pupils. The former actually requires their charter school students to make daily pledges to our abject political economy. Nor is it any different than the charter school chain that teaches its students that Emmett Till’s brutal murder was a just desert for what they termed his “sexual harassment.” The selfsame Celerity Charter Chain pushes a “post-racial curriculum” that ignores institutional racism in favor of students self-colonizing by “dress[ing] for success…” rather than “focus[ing] on how the history of the country has been checkered.” Because there’s little to no oversight or regulation for the privately managed charter school sector, these and many more such incidents will continue unabated.
There’s another major problem with García’s expansion of Gülen charter schools in LAUSD. Part of the Gülenist modus operandi is to staff their schools with teachers lacking credentials (part and parcel the standard in the charter school industry), many of whom have never taught before at all. Gülen schools bring in Turkish businessmen and professionals on 1HB visas to teach, yet there is currently a glut of highly qualified, credentialed, unemployed teachers in LAUSD. Gülen supporters claim a lack of educators versed in Science, Technology, Engineering, and Mathematics (STEM), but the reality is that there’s neither a shortage of STEM workers nor teachers in the United States. Instead, Gülen movement watchdogs have demonstrated a pattern of abuse in regards to H1B visas.
Ultimately, the failings of Gülen Charter Schools are the same as with all charter schools. They are privately managed. They have unelected boards. They have a glaring lack of transparency both in terms of finances and operations. They contribute to the deprofessionalization of teaching. They undermine public schools and the bare semblance of democracy which those pubic commons represent. They are, to all intents and purposes, private organizations with access to a publicly financed revenue stream. Johathan Kozol’s prescient prediction that our public school system was on the corporate auction block is being borne out by the expansion of Charter Management Organizations. Gülen Charter Schools are a symptom of a much deeper systemic problem known as neoliberalism.
School board trustees are elected to represent their community’s interests in regards to public schools. That Mónica García is so beholden to the competing interests of the lucrative charter school sector raises serious concerns of opportunism, greed, and favoritism. Her championing of the Gülenist charter movement is further proof that she has little to no consideration of her constituents and our community’s schoolchildren.
Special thanks to Sharon Higgins of The Perimeter Primate, Charter School Scandals, and The Broad Report for her copious existing research on this topic and encouraging me to write this specific piece. See this video for an idea of the breadth of her knowledge: Charters, Privatization Of Education & The Gulen Schools In The US: Sharon Higgins Speaks Out
68 Responses to “Mónica García champions the Gülenist Charter Movement in LAUSD”
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The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.
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Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.
If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.
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Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.
If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.
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The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.
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Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.
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Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.
This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.
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Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.
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I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)
Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.
Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.
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Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.
Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.
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